Black Lives Matter. Representation matters.
These are indisputable statements that have always been disputed in our country. The second statement helps ensure the first statement is heard loud and clear. When black creators (whether they be authors, film/tv writers, directors, musicians, or some other artist) are given license to create stories centering black lives, people reading, listening, watching and otherwise engaging with that content are more likely to be provided with accurate, diverse, and layered experiences of black people.
Speculative Fiction is a different way to tell a story than what is considered realistic fiction. Because creators are given more freedom to imagine worlds different from our own, or imagine our world in a different way, speculative fiction provides opportunity for creators to apply different themes, ideas, and build worlds to their liking. Plus it is tons of fun to add monsters, supernatural creatures, magic, and imagine new technologies!
There has been a renaissance in the last 5-10 years in Black Speculative Fiction. Books are being published by a variety of authors. Movies, TV Shows, and Music created by and centering black lives are entering the mainstream in a variety of speculative fiction genres. We are a very long way off from where we need to be in terms of representation, but there have been some undeniable steps in the right direction as evidenced by the following art:
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N.K. Jemisin4 Time Hugo Award Winner; Nebula Award |
Nnedi Okorofor2 Time Hugo Award Winner; Nebula Award; World Fantasy Award |
This recent explosion of Black Speculative Fiction seems like it came out of nowhere, but that is not the case. Black creators have had a hand in speculative stories for a long time.
Martin DelanyIt has become commonplace for histories of African American science fiction to cite Martin R. Delany’s antebellum novel Blake; or, The Huts of America: A Tale of the Mississippi Valley, the Southern United States, and Cuba as this tradition’s point of origin.1 For Britt Rusert, Delany’s interest in the microscope and the novel’s attention to astronomy create “rich imaginative terrain for speculations on freedom and world making.” (Brittan) |
W.E.B. DuBoisW.E.B. Du Bois is probably best known as an essayist and the co-founder of the NAACP. But he also wrote a number of works of fiction, including the well-known apocalyptic story “The Comet.” But his newly discovered short story from around 1908 (The Princess Steel) could be a foundational text of Afro-Futurism. (Anders) |
Pauline HopkinsThough she was to undergo much hardship in her career as a writer, she still gave us one of the earliest works of Afrofuturist literature with her book Of One Blood and is remembered today as the first Black woman to pen a sci-fi novel. (Century) |
Samuel DelanyA novelist and critic who taught literature and creative writing at the University of Massachusetts and Temple University, Samuel R. Delany had won four Nebula Awards and a Hugo Award by the time he was 27. He was inducted into the Science Fiction Hall of Fame in 2002, by which time he'd also been chosen by the Lambda Literary Report as one of the 50 people who had done the most to change our view of gayness in the last half-century. In 2013, he was named the 31st Damon Knight Memorial Foundation Grand Master by the Science Fiction and Fantasy Writers of America.
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Charles SaundersSaunders is best known for his fantasy Imaro (1981) and as the founder of the “sword and soul” subgenre, combining African history, culture, and mythology with sword-and-sorcery tropes. |
Jewelle GomezGomez’ fiction has won her the admiration of the Indigenous Futurism movement, which focuses on the speculative fiction of Native peoples, and she is revered as a leader in the black science fiction movement known as Afrofuturism. In 1997, Gomez participated in one of the first conferences on black speculative fiction, “The African-American Fantastic Imagination: Explorations in Science Fiction, Fantasy and Horror.” She co-edited, with Eric Garber, a gay and lesbian science fiction/fantasy anthology titled Swords of the Rainbow (2000). (Gomez) |
Octavia ButlerOCTAVIA E. BUTLER was a renowned African American author who received a MacArthur “Genius” Grant and PEN West Lifetime Achievement Award for her body of work...Though the MacArthur Grant made life easier in later years, she struggled for decades when her dystopian novels exploring themes of Black injustice, global warming, women’s rights and political disparity were, to say the least, not in commercial demand. (Octaviabutler.com) |
Tananarive DueTananarive Due is an award-winning author who teaches black horror and afrofuturism at UCLA. A leading voice in black speculative fiction for more than 20 years Due has won an American Book Award, an NAACP Image Award, and a British Fantasy Award. (Tananarivedue.com)
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Nichelle Nichols (Actor)Best known for playing Lieutenant Uhura, the communications officer on the original 60's 'Star Trek' television series, Nichelle Nichols is one of the first African-American women to be cast in a role other than stereotyped black maid or nanny. (Nishi)
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Nalo HopkinsonVibrant and edgy, rich and dazzling, deeply human and humane, Nalo Hopkinson’s fiction has received the Campbell and Locus Awards, the World Fantasy Award, and the Sunburst Award for Canadian Literature of the Fantastic. |
Black Panther Syllabus
https://www.scribd.com/document/373742016/BlackPantherSyllabus
How Nnedi Okorofor is Building the Future of Sci-Fi from Flossmoor
Re-Writing the Future Using Sci-Fi
Why Black Panther is a Defining Moment for Black America
This is Afrofuturism
https://africanarguments.org/2018/03/06/this-is-afrofuturism/
How Black Panther Asks us Who We Are to One Another
https://longreads.com/2018/02/22/how-black-panther-asks-us-to-examine-who-we-are-to-one-another/
Inside My 90 Minute Interview with Octavia Butler
White Bears in Sugarland: Juneteenth, Cages, and Afrofuturism
https://www.tor.com/2019/06/19/white-bears-in-sugar-land-juneteenth-cages-and-afrofuturism/
Take a Tour through the History of Black Science Fiction
https://www.tor.com/2020/07/07/take-a-tour-through-the-history-of-black-science-fiction/
Race and Fandom
https://fanlore.org/wiki/Race_and_Fandom
Race: The Original Sin of the Fantasy Genre
https://www.publicmedievalist.com/race-fantasy-genre/
Racism in Science Fiction
https://www.nyrsf.com/racism-and-science-fiction-.html
These Stories are Ours, Too: Writing Black Characters into Fairy Tales
https://www.tor.com/2013/11/05/the-status-quo-does-not-need-world-building/
Why New Characters Don't Solve the Problem of Diverse Representation
These Artists are Decolonizing Science Fiction
https://zora.medium.com/the-empire-strikes-black-8d6293f397cf
Imagining Different Histories
https://transfer-orbit.ghost.io/p-djeli-clark-interview/